The Florence sofa Florence sofa Deutschland as envisioned by it creator Florence Knoll is a scaled-down translation of the rhythm and proportions of mid-century modern architecture. What comes out is a spare geometric profile that reflects the rational design of her mentor Mies van der Rohe and becomes the utterly modern and timeless furniture piece.
The construction and the style capture the architecture of the age with its exposed metal frame and legs in heavy gauge steel and completed in chrome finish. The seat suspension features the no-sag springs. Design approach Being the head of the Knoll planning unit, Florence Knoll always approached the furniture design with the larger space in mind. What strikes her as the most important was how the pieces fit into the greater design – the room, the floor, and the building at large. All the elements of a Knoll-planned space always supported the overall design and complemented the existing architecture of the city, and the current look at that era. It was said that Knoll is one who never compromises. Florence was said to often design furniture when she “needed the furniture for a job and it wasn’t there.” Even if she had never regarded herself as a furniture designer, her search for harmony of space and consistency of design led her to design several of the Knoll’s most iconic pieces. All are simple but none are plain. Modern exterior When the economic boom America exploded and skyscrapers rose up all over America, especially in big modern cities, Florence saw to it that it was her job to translate the vocabulary and rationale of the modern exterior into the interior space of corporate offices. Unlike Saarinnen and Bertoia, the designs coming from Florence were all architectural in foundation, not sculptural. She consciously scaled down the rhythm and details of modern architecture with her pieces. At the same time, thoroughly harmonize them through colors and textures. The lounge collection that she designed in 1954 brings to fore her restrained, geometric approach to furniture. These perfect examples were clearly derived from her favorite mentor, Mies van der Rohe, but seen through her own personal visions of the geometry of the city and its surroundings. Creator Architect, furniture designer, interior designer and entrepreneur Florence Knoll had a subtle but profound influence on the course of mid-century American modernism. This was in the time when America’s rise to power emerged with the rise of skyscrapers in the now-bustling American cities. She was dedicated to functionality and organization and was never flamboyant. However, she was able to shape the ethos of the post-war business world with her polished, efficient design and skillfully realized office plans. Among her peers, Florence Knoll has the most thorough design education. When she became professional, her holistic view of interior space planning is seen all over her work. Here total design approach embraced everything about space – including furniture. As it was, she modestly referred to her furniture designs as the “meat and potatoes” of an interior. To this day, they remain the most basic, functional but lasting pieces. This includes the famous Florence sofa Florence sofa Deutschland.
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June 2019
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